“The elegance of any act is not determined by how eminent issue it has raised but it is determined by how eminently any issue has been raised by it.”
In broader sense, sometimes the way in which any feeling is expressed becomes more important than the feeling itself. Felicity is all about realization and implementation of this fact.
Felicity is not just another drama event, it is the drama event whose motive is to bring into the spot the forms of drama which we normally do not consider but which are an indispensable part of our lives. These forms of drama are no well-defined form of art; they are simply the ways in which we can express ourselves apart from the traditional mode of using words.
A small baby illustrates this in the best possible way. A 4 to 5 months old baby is not blessed with any verbal skills and yet he is able to convey all his needs to his mother. The mode of expression he uses is also a form of drama. This is so usual and yet so elegant…
The usuals are essentials for life but still it always keeps demanding for exotic experiences.
So, why not make the usuals exotic and enter into a new realm of feelings where Ranjha again falls in love with Heer and says frantically …
“Wo to har baat ko chupane wale the,
Par khamoshi ne sab bayan kar diya…
Jo fasana reh gaya tha hamare hothon par,
Unhone to wo aankho se bayan kar diya…”
